Newblue motion fx motion blur12/14/2023 Karen Wentworth grew up in the mill town of East Hartford, Connecticut. “I might not use the medication,” Wentworth said in July 2020, sitting in the shade of her garden. But she always knew two things: She would never be hospitalized again, and she would not suffer in her death. Wentworth did not know choosing to live would bring crushing loss and deep joy. Her journey provides a rare window into the complex decisions facing someone with the option to end their life. She hoped others might learn from her story, which she agreed to share with a reporter for more than two years. Knowing she had control over her death gave Wentworth peace. But Wentworth beat their projections by over three years. Wentworth’s doctors certainly thought she qualified when she was first prescribed in November 2019. To get the medication, a doctor needs to determine you have no more than six months to live. Most people who had a prescription written used it within 20 days. Since the law passed, 94 people have used a combination of drugs to end their lives from 2019 to 2021, state data shows. Wentworth was the second person in the state to get a prescription under Maine’s 2019 death with dignity law, according to the Maine Death With Dignity organization. Nestled in it were the medications that would end her life. The other was a small blue bag adorned with boats and waves, surrounded by crystals and feathers on a table in her office. It was one of the two reminders of her death in the home, relatively small details in a ranch house on a quiet side street filled with houseplants and comfortable furniture. The book had her do-not-resuscitate directive, plus phone numbers for the funeral home and burial grounds that would take care of her. It was easy to reach in case the appendix cancer that stole Wentworth’s strength, appetite and many of her organs for over a decade made a final play for her life. Save on NewBlue FX Transitions, now only $74.25 (for a limited time only.For years, Karen Wentworth knew how she wanted to die.Ī plan was detailed in a small green notebook she kept next to a lamp in her South Portland home. I handed it to our producer, Andy Ackerman and said, “Here take a look at this.” Ackerman came up to me a few days later and said, “I strongly believe you should become an editor.” I cut an episode, for fun, just to see if I could do it. A couple months later, I went into the Cheers edit bay on a Friday night. By the second week I was helping teach the older guys who were transitioning from film. While I was taking the class everyone kept asking me if I had ever edited before. They were showing film editors how to take the leap into the 90s. I wanted to learn more about the edit system, which at the time was called Laser Edit. NB: Wait, you mean the show “Where everyone knows your name?” PC: Yes and while I was there I slowly moved into the post production area. NB: How did you get involved with video editing? And how did you make it into primetime TV? PC: Well I started as a runner P.A. In 2007, he was awarded an Emmy for Outstanding Multi-Camera Picture Editing for a Comedy Series for his work on the show.Īs fans of the show, we were excited to jump right into the interview with Chakos. How do you edit with a bang? To find out, we turned to the award winning video editor, Peter Chakos, for answers.Ĭhakos acts as both editor and producer for the Emmy-winning comedy series, The Big Bang Theory. In this Q&A, Peter Chakos shares his editing process on The Big Bang Theory and how NewBlue's Motion Blur helped him create a unique "what if" moment. Learn How Emmy-Winning Editor Peter Chakos Used NewBlue Transitions in the Big Bang Theory From the NewBlueFX Blog
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